Art Photography and the Contentions of Contemporary Art: Rhetoric, Practice, and Reception PDF
By:Phil Lee,University of Chicago
Published on 2013 by
Chapters 1 and 2 challenge Greenberg and Krauss' theoretical characterizations of photography as literary and indexical, arguing that the photographs of Stieglitz, Woodman, and Sherman demonstrate photography's multifaceted characteristics. My analysis of the artists' works allows for a reassessment of postmodern art criticism. Chapters 3 and 4 explore photography's reciprocal relationships with Conceptual Art, European--American institutional interchange, the reemergence of the painting movement, and advances in digital and print technology that made art photography a central form of contemporary art. While examining how the Conceptualists' idea-centered photographic practice paradoxically led to the reaestheticization of the deaesthetized photograph, I construct a coherent account of art photography by connecting the photographic practice of Stieglitz, Ed Ruscha, and Gursky.
This Book was ranked at 22 by Google Books for keyword History Criticism History Arts Photography.
Book ID of Art Photography and the Contentions of Contemporary Art: Rhetoric, Practice, and Reception's Books is B5jnoAEACAAJ, Book which was written byPhil Lee,University of Chicagohave ETAG "9cshUtH4jt0"
Book which was published by since 2013 have ISBNs, ISBN 13 Code is 9781303228919 and ISBN 10 Code is 1303228912
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